The Nanny vs. The Nanny State – Tablet Magazine
As Hollywood recycles comic book remakes with funding from China, the once-great cultural capital appears to be in a state of steep decline. But in one area, at least, the movie industry is offering a bold and inspiring vision for the future. The writers and actors who went on strike to prevent studio owners from using artificial intelligence (AI) to exploit and expropriate their work are on the front lines of a new data war triggered by the explosive growth of AI. This past July, Fran Drescher, former star of the popular sitcom The Nanny, and now president of the SAG-AFTRA union, described the stakes: If we don t stand tall right now, we are all going to be in trouble, we are all going to be in jeopardy of being replaced by machines.
Drescher is right. Across the U.S. and the global economy, corporations are strip mining people s data and then using it to train the AI systems that will put those very people out of work. Two days before this article was published, the Writers Guild of America reached a tentative agreement with the studios for a new three-year deal. According to Variety, details of language around the use of generative AI in content production was one of the last items that the sides worked on before closing the pact. With the writers bringing their five-month strike to a close, the actors guild could soon reach its own deal. While the Hollywood shutdown has undoubtedly been painful for many of the people involved, we believe that workers who do not manage to secure protections against AI will be in for far worse outcomes. Doomsday scenarios about fully sentient AI aside from being good marketing gimmicks for the tech industry distract from the real and immediate danger posed by the technology: Not the rise of terminator robots but that tens or hundreds of millions of people will suddenly lose their jobs.